Rights intelligence feed
Tracks changes from official societies, CMOs, DSPs, copyright offices, and AI-music policy sources when they may affect a registration, claim, or payout.
MARVIS
MARVIS is a music-rights intelligence workspace for artists, managers, publishers, distributors, and rights teams. It monitors publishing, royalty, copyright, DSP, sync, neighboring-rights, and AI-music policy changes while helping organize catalog ownership, splits, registrations, and collection tasks.
Music-rights intelligence for catalog and release administration
MARVIS (Music Artist Rights Virtual Intelligence) is a music-rights intelligence and catalog-organization product for artists and the people who manage, publish, distribute, or administer their work. It brings publishing, PRO and CMO policy, mechanical and neighboring rights, DSP rules, copyright, sync clearance, and AI-music policy into a single rights-focused workspace.
Its central purpose is to help users distinguish the different rights attached to a song and recording, monitor material changes, and identify unfinished rights actions. The site presents a ninety-day archive of rights intelligence, regional society and collector maps, and catalog-hygiene checks covering ownership, splits, registrations, collection, contracts, and release documentation.
Key features
Publishing and PRO mapping
Separates songwriter splits, publisher share, performance, mechanicals, IPI numbers, and territorial administrators so composition rights can be documented and registered accurately.
Territory rights map
Maps performance, mechanical, neighboring-rights, and AI-policy watchpoints across North America, Europe, Asia-Pacific, Latin America, Africa, and the Middle East.
DSP and platform policy tracking
Follows Spotify, Apple Music, YouTube, TikTok, SoundCloud, and distributor issues involving metadata, artificial streaming or fraud, AI disclosure, artist identity, and monetization.
Catalog health checks
Provides catalog-hygiene checkpoints for ownership, splits, PRO registrations, mechanical collection, AI usage, contracts, royalty audits, and sync assets.
Release and sync readiness
Frames release and clearance work around the separate requirements for ISRC, ISWC, master and publishing ownership, cue sheets, stems, splits, and approval authority.
Practical use cases
Prepare a release
Before release, document songwriter splits, ISRC and ISWC identifiers, master and publishing ownership, and the relevant PRO, mechanical, or neighboring-rights administrators.
Map international collection
Use the territory and society view to distinguish who handles performance, mechanical, and neighboring rights in key markets and reduce the risk of assigning one collection route to the wrong right.
Check platform requirements
Review policy changes affecting metadata, artificial streaming, AI disclosure, artist identity, and monetization before delivering music to Spotify, Apple Music, YouTube, TikTok, or SoundCloud.
Improve catalog hygiene
Organize ownership records, split confirmations, registrations, contracts, royalty-audit status, and AI authorship evidence while maintaining a view of unresolved catalog tasks.
Support sync clearance
Assemble composition and master ownership details, cue sheets, stems, splits, and approval authority for a sync request so clearance decisions can be made from documented rights information.
Pros and Cons
Pros
- Covers multiple rights desks instead of treating composition, master, performance, mechanical, neighboring, sync, and platform rights as interchangeable.
- Combines current rights-policy monitoring with catalog-hygiene checkpoints for ownership, splits, registrations, collection, contracts, and AI-use documentation.
- Provides regional context across six broad markets and names relevant societies, CMOs, DSPs, copyright offices, and distributors in its coverage.
- Includes a ninety-day archive of material rights changes that can affect registrations, claims, or payouts.
Cons
- The available product information does not document pricing, plans, setup requirements, integrations, collaboration features, or support terms.
- The rights feed is refreshed on a cycle of about fifteen minutes, so it should not be treated as a second-by-second alerting system.
- MARVIS organizes and monitors rights information; the source does not establish that it performs registrations, collects royalties, or provides legal advice on the user's behalf.
FAQ
What does MARVIS monitor?
MARVIS monitors rights-related changes across publishing, PRO and CMO policy, mechanicals, neighboring rights, DSP rules, copyright, sync clearance, and AI-music policy. It presents changes that may affect registrations, claims, or payouts.
Which territories and rights organizations does MARVIS cover?
The site organizes rights information by regions including North America, Europe, Asia-Pacific, Latin America, Africa, and the Middle East. Examples shown include society and collector mappings for Canada, the United States, the United Kingdom, Germany, Japan, and Australia.
What kinds of music rights does MARVIS help organize?
The product distinguishes composition and master rights, performance and mechanical royalties, neighboring rights, sync and Content ID, and the roles of societies, DSPs, distributors, managers, producers, and publishers. It is intended to help users map these rights rather than treat them as a single entitlement.
What catalog information can users track?
MARVIS includes catalog-hygiene checks such as documenting master and composition ownership, confirming splits, keeping PRO registrations current, mapping mechanical collection, and retaining evidence of human authorship for material AI use.
How current is the rights intelligence?
The site describes a rights feed that rebuilds on a cycle of about fifteen minutes and retains material changes for ninety days. The displayed feed is not necessarily updated to the second.
Quick Facts
- Product type
- Music-rights intelligence and catalog administration workspace
- Primary users
- Artists, managers, publishers, distributors, and rights teams
- Coverage
- Publishing, PRO/CMO, royalties, copyright, neighboring rights, sync, DSP policy, and AI-music rules
- Regional view
- North America, Europe, Asia-Pacific, Latin America, Africa, and the Middle East
- Rights archive
- Material changes retained for ninety days
- Update cycle
- Rights feed rebuilds about every fifteen minutes
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